Revealing three miscarriages is probably something more fit for a late career biography as opposed to a way to bolster album sales. Even then, elements of Carrie Underwood’s notoriously loyal fanbase are beginning to become fatigued by all of the tragic Carrie Underwood news, and its coinciding with important markers on her album release calendar. If you can’t see what’s going on here, you’re either not paying attention, or are so swept up in Carrie Underwood fandom, your perspective is without objectivity. Beyond any music issues, the health and well-being of artists should always be a priority.īut at this point, utilizing Carrie Underwood’s personal matters to promote her music has become ridiculous and incredibly transparent, to the point of insulting the intelligence of the country music public. Obviously this was a difficult experience for Underwood and her husband, and your heart can only go out to her as you imagine the grief she felt trying to add a fourth member to her young family. Now the big news over the same weekend Carrie released the new album Cry Pretty is that she experienced three miscarriages recently. At that point you began to sense a pattern of personal details paralleling the news of music matters as a strategy to market her new record. Then came the release of Carrie Underwood tour dates for 2019, way ahead of when such things would normally be revealed, and coinciding with the announcement that she was pregnant. But as time went on with all of the overhyped face reveals and endless tabloid media stories on the matter, the whole thing began to feel opportunistic, if not downright exploitative of the unfortunate situation Carrie Underwood suffered. Releasing the song “Cry Pretty” as part of the personal revelations about the injury made the story especially poignant. When you first heard about Carrie Underwood’s unfortunate fall and her need for hospitalization in November of 2017, it was hard not to feel bad for the country star regardless of how you felt about her music.
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